Allan Bennett's The Habit of Art, which we discussed a few months ago, occasioned this reflection by acclaimed novelist and critic Philip Hensher on their relationship (Auden & Britten's), ostensibly the play's central theme. Hensher's essay will be interesting to anyone interested in either Auden or Britten—more generally librettists and composers—as well as the play itself. Even the half-awake reader will discover why I have come across it so late (and yet still recommend it).
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