"Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies."
Lorca...
Sunday, March 20, 2011
Sunday, March 13, 2011
Albee
Probably don't need to point out to anyone Randy Shulman's good interview with Edward Albee in the latest MetroWeekly, occasioned by Arena's current and continuing Albee Fest, most of which is free (?) and at least some of which some of us are going to. This raises the question of what we might read by him (having read nothing). Malcolm—both Purdy's novella and Albee's adaptation—seems an obvious choice, except that the Purdy I think is o.o.p. Of course, anything by Albee is arguably a candidate (ex persona, as it were). At Home at the Zoo—old "Zoo Story" with its new prequel "Home Life"—might be a good recommendation. Others?
blast from the past
Friday, March 11, 2011
Nox
I've been a fan of Anne Carson since Autobiography of Red (discussed at our meeting on 7/20/1999). Next time you are meandering through the poetry section of your favorite book store, see if they have a copy of Nox, spend a few minutes browsing through the pages, and let me know what you think about it.
Friday, March 4, 2011
The Warren Cup
I've just learned about this, or heard about it but never saw an image (or am approaching senility more quickly than I ever imagined possible) — in any event, to share with those of you who have been as ignorant or clueless (or witless) as I … The Warren Cup. By the way, NSFW (but what do I know) … or TGIF — it's the weekend (that much I do know)!
Thursday, March 3, 2011
Pingpong Howl
I was not, forty years ago, nor now, so captivated by "Howl" as most people were last night. Some verses I would have read aloud then—except for the overwhelming liveliness of our discussion—exemplify for me the "brilliantly absurdist poem" Perloff characterizes in her review below:
(verses 68, 69, and 104; pages 120, 121, and 174 in the graphic novel).
The first "pingpong" has to evoke a laugh; the second, reflection; and the last, if memory serves, poignance. Taken together, the best three lines in the poem. If I can find a way to read the rest of the poem this way, it will be for me not merely historically important (both as literature and as event) but intrinsically memorable.
and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy psychotherapy occupational therapy pingpong & amnesia,
who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,
…
I'm with you in Rockland where you scream in a straightjacket that you're losing the game of the actual pingpong of the abyss
(verses 68, 69, and 104; pages 120, 121, and 174 in the graphic novel).
The first "pingpong" has to evoke a laugh; the second, reflection; and the last, if memory serves, poignance. Taken together, the best three lines in the poem. If I can find a way to read the rest of the poem this way, it will be for me not merely historically important (both as literature and as event) but intrinsically memorable.
"Holy, holy, holy hyperbole!"
When the young Allen Ginsberg (ably played by James Franco) reads this line from the "Moloch" section of "Howl" in the smoke-filled Six Gallery in San Francisco (on October 7, 1955), the guys in the front row, including Neal Cassady, "secret hero of these poems, cocksman and Adonis of Denver", break into laughter. The whole boatload of sensitive bullshit: they know, and Allen knows, that "Howl", far from being the romantic cry of the heart or grand political jeremiad it is often presumed to be, is in fact a brilliantly absurdist poem, whose complex baroque structure teeters between high seriousness and wry self-mockery, hallucinatory fervour and comic deflation.
So the beginning of Marjorie Perloff's exceptionally interesting review in the February 18, 2011, issue of the Times Literary Supplement. I would provide a link but it would only work for subscribers. Still, anyone interested in the movie, the poem, the poet, or the times (his then, ours now) will be rewarded by the trek to any library with a copy.
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