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Wednesday, August 28, 2024
A Plunket primer
In preparation for next week's discussion of Robert Plunket's 1983 comic novel, My Search for Warren Harding, I went to Wikipedia to look up the author--only to discover that he has no Wikipedia page!
Fortunately, Lee Levine (who nominated the book--thanks!) rode to the rescue, pointing me to this 2023 New Yorker profile: "One of America's funniest, gayest writers is finally becoming famous."
Besides being a hoot to read, that article will give you the essentials about the man and the novel. But if it whets your appetite for more background, here are some additional links:
New York Times: "Taking a late-in-life victory lap, thanks to his novel's "lunatic energy"
Vulture: "Robert Plunket is fine with being rediscovered"
Substack (The Caftan Chronicles): "Robert Plunket's comeback after writing the funniest, gayest novel of all time"
Note: There is also a Paris Review interview with Plunket, but that is the basis of Danzy Senna's foreword in the 40th-anniversary edition of the novel I've suggested we use. However, if you have a different edition (which is perfectly fine) without that introduction, you might want to check out the article.
Give poems a chance! 😀
Nine of us--including the book's co-editors, our very own Philip Clark and Michael Bronski--went online last week for a very enjoyable discussion of the second half of Invisible History: The Collected Poems of Walta Borawski. Tim Hennessey made an observation that I wanted to share in hopes of enticing more people to read Borawski:
"I haven't read many poems, and I don't feel like I know much about poetry. But Borawski's poems really spoke to me, and I enjoyed reading them." I second that assessment, and would just add that most of the poems are about a page long (and many are shorter than that). So if one selection doesn't speak to you, try the next one.
In that spirit, at the risk of embarrassing Philip, I also want to plug a previous anthology he edited (which we discussed back in 2010 and 2011): Persistent Voices: Poetry by Writers Lost to AIDS. I still regard it as one of the best anthologies of verse I've had the pleasure of reading, and I dip back into it from time to time. Alas, it is out of print, but used copies are available on Amazon and ABE Books, among other sources.
Tuesday, August 13, 2024
Looking back at the National Book Awards
The National Book Awards program celebrates its 75th anniversary this November. To mark that milestone, the Washington Post's Book World section has commissioned a series of essays by NBA-honored authors about each decade's awards for poetry. In his essay about the 1970s, gay poet Carl Phillips points out that "Only three straight white men won the award for poetry in the 1970s: A.R. Ammons, Richard Eberhart and Howard Nemerov.
"To my surprise, eight queer poets, most of them openly queer, won the award: Allen Ginsberg and Adrienne Rich (who tied in 1974), Marilyn Hacker, John Ashbery, James Merrill, Elizabeth Bishop, and Howard Moss and Frank O'Hara (another tie, in 1972). There's a fair representation of queerness among the decade's finalists, as well: Audre Lorde, Alice Walker, May Swenson and Robert Hayden."
I encourage you to read the whole essay, which ends on this optimistic note: "To read the books represented in the 1970s is to have an incomplete but nevertheless not inaccurate sense of the richness and variety of American poetry at the time. I can sense a country beginning to reckon with its many selves more seriously than it has before, because now it has to."
More LGBTQ poetry to get to know, Part II
These selections from the American Academy of Poetry's Poem-a-Day newsletter appeared in July and August 2024. Enjoy!
anyways I'm radicalized now by aeon ginsberg
Thinking about "The Little Mermaid" by Arianna Monet
I wake at dawn to glimpse my barren chest by Spencer Williams
Artist Statement by Tarik Dobbs
The First Rule of Buoyancy by Ollie Schminsky
Rest Stop by Chandler Peters-Durose
More LGBTQ poetry to get to know, Part I
As we prepare to discuss the second half of Invisible History: The Collected Poems of Walta Borawski, co-edited by our very own Philip Clark and Michael Bronski, next week, it's high time that I catch up on sharing the LGBTQ-themed poems (not all by LGBTQ poets, I should note) from the American Academy of Poetry's Poem-a-Day newsletter. These poems were disseminated in June and early July 2024. Enjoy!
In Summer by Lord Alfred Douglas
Love Stronger Than Death by Agnes Mary Frances Duclaux
Fear by Liv Mammone
Aubade for the Habana Inn by Chrysanthemum
no one wants to be rough anymore by Xan Forest Phillips
Love poem with a dying cat by Nen G. Ramirez
against cleansing by Marlin M. Jenkins
Untitled 1975-86 by jason b Crawford
Tuesday, August 6, 2024
Baldwin Birthday Bash, Part 2
As I anticipated in my previous post, the celebration of James Baldwin's centennial (born Aug. 2, 1924) continues apace. Here are some more links:
"Few Writers Have Seen America More Clearly than James Baldwin" (The Economist)
"James Baldwin's Most Underappreciated Talent" (The Atlantic): Baldwin's personal letters
"The Brilliance in James Baldwin's Letters" (The Atlantic)
And from the National Museum of African American History and Culture:
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Friday, August 2, 2024
Happy 100th Birthday, Jimmy B!
Today marks what would have been James Baldwin's 100th birthday. We've read two of his novels (Giovanni's Room and Just Above My Head), but there are plenty of other works in his oeuvre--fiction and non-fiction--worthy of our attention. Something to keep in mind as we prepare to collectively shape our 2025 reading list (stay tuned for more on that process).
To celebrate the American master's life and work, here are a few items of interest. (No doubt there are many more online, but these will get you started.) A helpful overview by Robert Jones Jr. appeared in the New York Times back in February: "The Best of James Baldwin." As Jones says, Baldwin's "writing is as imperative as ever. He wrote with the kind of moral vision that was as comforting as it was chastising--almost surely the influence of the pulpit he once occupied as a child preacher in his native Harlem."
Reinforcing that point, the New Yorker's online edition has republished a seminal November 1962 Baldwin essay, "Letter from a Region in My Mind," that ends with a famous warning: "If we--and now I mean the relatively conscious whites and the relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others--do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world. If we do not now dare anything, the fulfillment of that prophesy, re-created from the Bible in song by a slave, is upon us: God gave Noah the rainbow sign, No more water, the fire next time!"
Colm TóibÃn published "The Last Witness," a tribute to Baldwin's legacy, in the London Review of Books back in September 2001. He aptly hails Baldwin as "the Henry James of Harlem."
Writing in the September 2019 issue of the New York Times' T Magazine, Hilton Als takes us to "Giovanni's Room Revisited." Caveat lector: The combination of lavish fashion photography with literary criticism (notwithstanding the beauty of the two male models and the excellence of the writing) didn't really work for me, but your mileage may vary.
Speaking of photography: Today's NYT features "From Harlem to Selma to Paris: James Baldwin's Life in Pictures."
Finally, the National Portrait Gallery recently opened an exhibition, "This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance," that will be up through April 2025. The catalog will be published in September, but is available for pre-order (which I've just done). I haven't gotten to the show yet, but definitely plan to soon. (On a related note, I heartily recommend another show at the NPG, "Brilliant Exiles: American Women in Paris, 1900-1939, which features a bevy of lesbian writers and artists, including Gertrude Stein.)
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