The renovated East Building of the National Gallery, which reopened two months ago after a three-year closure, is a triumph that is well worth a visit. In particular, those of you who read Philip Gefter's Wagstaff: Before and After Mapplethorpe will want to check out a special exhibition that will be up there through Jan. 29: "Los Angeles to New York: Dwan Gallery, 1959-1971."
Like Sam Wagstaff, Virginia Dwan—who at 85 continues to support and nurture artists working in almost every style and medium—is closely associated with the earthworks movement and other site-specific installations. In this show, you'll see photos and videos not only of "Dragged Mass Displacement," the Michael Heizer piece with which Gefter begins his biography of Wagstaff, but many other examples of the genre. (Personally, I find them more interesting in theory than in practice, but at least now I can say I've seen them for myself!)