Thursday, September 21, 2017

Books We'll Be Reading Next Year

FICTION
Black Deutschland  by Darryl Pinckney
A Little Life  by Hanya Yanagihara
Mundo Cruel  by Luis Negron

NON-FICTION
Queer: A Graphic History  by Meg-John Barker and Julia Scheele
Hold Tight Gently… by Martin Duberman
A Little Gay History… by R. Parkinson

BIOGRAPHY
The Tastemaker: Carl van Vechten… by Edward White

MEMOIR
Let’s Shut Out the World  by Kevin Bentley

DRAMA
The Laramie Project and … Ten Years Later  by Moisés Kaufman
My Night with Reg  by Kevin Elyot

POETRY
Hard Evidence  by Timothy Liu
Self-Portrait in a Convex Mirror  by John Ashbery
In Search of Duende  by Federico Garcia Lorca

ANTHOLOGIES
From Macho to Mariposa… by Rice-Gonzalez and Vasquez (ed)

Monday, September 4, 2017

Garth and Darryl

Garth Greenwell, whose novel What Belongs to You  we discussed last February, explains in an interview in The New Yorker  that while he was writing his novel several short stories sharing the novel's locale and some of its characters pressed themselves on him to be written. One of them, "An Evening Out," was published in the August 21 issue of the magazine. (Readers with lazy eyes can listen to the author read it. And even once you've read it you might enjoy listening to Greenwell, who reads very well.)

Readers may also be interested in James Wood's double review of Garth's book and Darryl Pinckney's Black Deutschland (I'm just catching up with all this). Pinckney's novel is sure to end up on our forthcoming voting list and quite possibly on our reading list as well.

Sunday, September 3, 2017

R.I.P., John Ashbery

The Associated Press has just reported  that the distinguished poet, translator and critic John Ashbery—who won a trifecta of honors (the Pulitzer Prize, the National Book Award and the National Book Critics Circle prize) for his 1975 poetry collection, Self-Portrait in a Convex Mirror—died on Sept. 3 at his home in Hudson, N.Y. He is survived by his husband, David Kermani. Other obituaries appear in the New York Times and The Guardian.

In his obituary, AP reporter Hillel Italie notes that Ashbery's style "ranged from ranging couplets to haiku to blank verse, and his interests were as vast as his gifts for expressing them. He wrote of love, music, movies, the seasons, the city and the country, and he was surely the greatest poet ever to compose a hymn to President Warren Harding."

One of Ashbery's most famous poems, "How to Continue," is an elegy for the sexual revolution among gays in the 1960s and '70s, a party turned tragic by the deadly arrival of AIDS. "In a Wonderful Place," a poem from Ashbery's final collection, offers an artfully ambiguous summing up of the poet's long, distinguished career:

I spent years exhausting my good works
on the public, all for seconds
Time to shut down colored alphabets
flutter in the fresh breeze of autumn. It
draws like a rout. Or a treat.